The Battle of the Somme (film)

The Battle of the Somme (Scots: The Battle o the Somme) is a 1916 Breetish documentar an propaganda film. Shot bi twa offeecial cinematographers, Geoffrey Malins an John McDowell, the film depicts the Breetish Airmy's preparations for, an the early stages o, the battle o the Somme. Premiered in Lunnon on 10 August 1916 an lowsed generally on 21 August, whiles the battle continued in Fraunce, the film gied a gey graphic depiction o trench warfare, shawin deid an woundit Breetish an German sodgers. The film wis a massive success, sellin some twanty million tickets in its first sax weeks o lowse in Breetain an gaein on tae be distributit in auchteen ither kintras. A seicont film, kiverin a later phase o the battle, wis lowsed in 1917 as The Battle of the Ancre and the Advance of the Tanks.

The Battle of the Somme
A staged advance filmit afore the battle.
Produced bi	William F. Jury
Muisic bi	J. Morton Hutcheson (oreeginal 1916 medley) Laura Rossi (2006)
Cinematography	Geoffrey H. Malins John B. McDowell
Eeditit bi	Charles Urban
Distributit bi	British Topical Committee for War Films
Release date	21 August 1916 November 2008 (DVD, digitally restored)
Rinnin time	62 meen. (1916) 74 meen. (2006)
Kintra	Unitit Kinrick
Leid	Seelent film Inglis interteetles

Preservit in the film archive o the Imperial War Museum syne 1920, the film wis inscreived on UNESCO's Memory o the Warld Register in 2005. The film haes syne been digitally restored an lowsed on DVD in 2008. The Battle of the Somme bides signeeficant the day as a early ensaumple o film propaganda technique, as a historical record o the battle, an as a frequent springheid o fitage illustratin the First Warld War.

Content

The Battle of the Somme is a black an white seelent film dividen intae five pairts, wi individual sequences dividen bi interteetles summarising thair contents. The first pairt shaws the preparations for battle ahint the Breetish frontline; sequences include sodgers mairchin towards the front, French peasants continuin thair ferm wirk in rear auries, the stockpilin o munitions, General Beauvoir De Lisle addressin the 29t Diveesion, an some o the preparatory artillery bombardment. The seicont pairt depicts further preparations, sodgers muivin intae the frontline trenches, the intensification o the artillery barrage, an the detonation o the Hawthorn Ridge Mine. Pairt Three stairts wi the launch o the assault on 1st Julie 1916, an shaws the recovery o Breetish woundit an German preesoners. The fowert pairt shaws mair scenes o Breetish an German woundit, the clearin o the battlefield, an some o the eftercome. The final pairt shaws further scenes o pheesical devastation, includin the ruins o the veelage o Mametz, Breetish sodgers at rest, an preparations for the neist stage o the advance.

Production

The explosion o the Hawthorn Ridge mine, photographed bi Ernest Brooks. Malins filmit the explosion frae a gey alike vantage pynt.

The majority o The Battle of the Somme is actuality fitage filmit atween 26 Juin an 8 Julie 1916, wi cutty staged sequences filmit at a later date in Julie. The twa cinematographers, Malins an McDowell, operatit in unalike pairts o the Breetish Airmy's front; Malins filmin in the vicinity o Beaumont Hamel, an McDowell wirkin further sooth in the vicinity o Fricourt an Mametz. Afore the battle, Malins operatit at the northrenmaist end o the Breetish Somme sector, filmin sodgers on the mairch an hivy artillery wast o Gommecourt. For the first day o the battle, Malins wis formally attached tae the Breetish 29t Diveesion. Filmin in a aurie kent as 'White Ceety', Malins wis able tae film sodgers o 1st Battalion Lancashire Fusiliers waitin tae advance fae a sunken lane in no man's laund, afore retourin tae film the explosion o the Hawthorn Ridge mine. Bidin in the aurie on 1 Julie, the follaein day Malins filmit activity at La Boisselle, afore leavin the front for Lunnon on aboot 9 Julie. Retourin tae Fraunce, Malins filmit staged sequences o shellfire an o sodgers advancin frae thair trenches at a Breetish Third Airmy mortar schuil naur St Pol atween 12–19 Julie.

McDowell reached the Somme front later nor Malins, an began filmin on 28 or 29 Juin. He filmit pre-battle activities east o Albert, an kivered the appenin day o the battle frae the vicinity o Carnoy an 'Minden Post'. McDowell mey hae been affiliatit wi the 7t Diveesion. The success o Breetish forces in this aurie enabled McDowell tae film captured German trenches naur Fricourt an Mametz.

Malins an McDowell didna set oot tae mak a featur film, but ance the volume an quality o thair fitage haed been seen in Lunnon, the Breetish Topical Committee for War Films decidit tae compile a featur-lenth film. William Jury producit the wirk an it wis editit bi Malins an Charles Urban.

Lowse

The feenisht film spanned five reels an lastit 62 meenits an 50 seiconts. Its first screenin teuk place tae a invitit audience at the Scala Theatre on 10 August 1916, whiles the battle still raged. On 21 August the film began shawin simultaneously in 34 Lunnon cinemas, appenin in provincial ceeties the follaein week. The Ryal Faimlie received a private screenin at Windsor Castle in September. The film wis eventually shawn in 18 kintras.

Reception an eftercast

The teetle o this sequence: British Tommies rescuin a comrade unner shell fire. (This man dee'd 30 meenits efter reachin the trenches.)

Breetish sodgers at rest in Fraunce saw the film forby: thare it providit new recruits wi some idea o whit thay micht suin face. The sodgers' main complaint wis the failur o the film tae captur the soond o battle. Houaniver, for a seelent film, the teetles coud be remarkably forthricht, descreivin eimages o injury an daith.

Breetish authorities shawed the film tae the public as a morale-upbigger an in general it met wi a favourable reception. The Times reportit on 22 August 1916 that "Crowded audiences...were interested and thrilled to have the realities of war brought so vividly before them, and if women had sometimes to shut their eyes to escape for a moment from the tragedy of the toll of battle which the film presents, opinion seems to be general that it was wise that the people at home should have this glimpse of what our soldiers are doing and daring and suffering in Picardy".

Bi contrast ithers considert it immoral tae braidcast scenes o violence, the Dean o Durham protestin "against an entertainment which wounds the heart and violates the very sanctity of bereavement". Ithers complained that sic a serious film shared the cinema programme wi comedy films. The Breetish public respondit tae the film massively, purchasin a estimatit 20 million tickets in twa month. On this basis, The Battle of the Somme bides ane o the maist successfu Breetish films ever made.

Houaniver, historians believe that a lot o the available fitage wis censored frae the feenal version shawn tae the public, as the War Office wantit the film tae conteen fitage that wad support the war effort an raise morale, an it daed gey successfully.

The film wis shawn in New Zealand in October 1916. On 12 October Wellington's Evening Post ran a advertisement for the film, descrievin it as 'the extraordinary films of "the big push"' an a 'awe-inspiring, glorious presentation of what our heroes are accomplishing the day'. In a review published on 16 October, the paper concluded that 'thir pictures of the Battle of the Somme are a real and valuable contreibution tae the naition's knowledge and a powerful spur tae naitional effort'.

Preservation, restoration an relowses

In 1920 the film's oreeginal nitrate negative wis passed tae the Imperial War Museum for preservation. A nitrate pertection archive master wis made in 1921, an a acetate safety maister in 1931. The nitrate maisters war destroyed in the 1970s efter the onset o irreversible nitrate decomposition.

The film wis made available on VHS in 1987, becomin the first teetle frae the museum's film archive tae be lowsed on video.

In 2005 The Battle of the Somme wis inscreived on UNESCO's Memory o the Warld Register for the preservation o global documentar heirship. The film wis descreived b UNESCO as a 'compelling documentary record of ane of the key battles of the First Warld War [and] the first featur-lenth documentary film record of combat produced anywhere in the warld' an as haein 'played a major pairt in establishing the methodology of documentary and propaganda film'.

On 22 October 2006, follaein a restoration project bi the Imperial War Museum an Dragon Digital Intermediate, a digitally restored version o The Battle of the Somme wis screened at the Queen Elizabeth Haw in Lunnon. The film wis accompanee'd bi the Philharmonia Orchestra, conductit bi Nic Raine, performin a oreeginal orchestral score bi composer Laura Rossi. The restoration wis later nominatit for a Archive Restoration or Preservation Project awaird bi FOCAL, the Federation of Commercial Audiovisual Libraries. In November 2008 the restored film wis lowsed on DVD tae merk the 90t anniversary o the Armistice in 1918. As soondtracks tae the film, the DVD includit Rossi's score, a accompanyin 1916 muisical medley, an a commentar bi Roger Smither, film archivist at the Imperial War Museum. The DVD includit interviews wi Smither an Rossi, an wi Toby Haggith (film archivist) an Stephen Horne (seelent film muisicker) on the reconstruction o the contemporar medley. Includit an aw war film fragments an amissin scenes.

See an aa

• Leet o Warld War I films

Further readin

• "The Battle of the Somme: Film Biographies" (PDF). The Battle of the Somme DVD. Imperial War Museum. 2008. Archived frae the original (PDF) on 1 August 2011. Retrieved 24 November 2009.
• "The Battle of the Somme: Viewing Guide" (PDF). The Battle of the Somme DVD. Imperial War Museum. 2008. Archived frae the original (PDF) on 1 August 2011. Retrieved 24 November 2009.
• Haggith, Toby (2002). "Reconstructing the Musical Arrangement for 'The Battle of the Somme'". Film History. 14 (1): 11–24. JSTOR 3815576.
• Reeves, Nicholas (Julie 1983). "Film Propaganda and Its Audience: The Example of Britain's Official Films during the First World War". Journal of Contemporary History. 18 (3): 463–494. JSTOR 260547.
• Smither, Roger (2002). "'Watch the Picture Carefully, and See If You Can Identify Anyone': Recognition in Factual Film of the First World War Period". Film History. 14 (3/4): 390–404. JSTOR 3815439.
• McKernan, Luke (2002). "Propaganda, Patriotism and Profit: Charles Urban and British Official War Films in America during the First World War". Film History. 14 (3/4): 369–389. JSTOR 3815438.
• Smither, Roger (1993). ""A Wonderful Idea of the Fighting": The question of fakes in 'The Battle of the Somme'". Historical Journal of Film, Radio and Television. 13 (2): 149–168.
• Tookey, Chris and Walsh, David (20 October 2006) The Film Programme RealPlayer Audio interview frae 14:38. BBC Radio 4. Accessed 27 October 2010.

Fremmit airtins

• The Battle of the Somme on IMDb
• The Battle of the Somme at AllMovie
• Authenticity of The Battle of the Somme Archived 2012-11-06 at the Wayback Machine (in Inglis)